Power: Dedicated 10 AWG shielded line (MC 10/2) from breaker box to Furutech GTX-D NCF(R) outlet, 9 AWG ZenWave Clear Bass cable to Furutech e-TP609 NCF 6-way power distributor / 2 x Tripp Lite IS1000HG Isolation Transformer for digital source (Transformer 1: CD transport, reclocker / Transformer 2: DAC) / ZenWave PL-11 power cables for DAC, preamp and amp / ZenWave Clear Bass power cables for all other electronic components (CD transport, reclocker, subwoofers) Simaudio Moon Neo 260 DT CD Transport / Empirical Audio reclocking system: Synchro-Mesh Reclocker driven by Dynamo Linear Power Supply, 2 x Reference BNC digital cable / Schiit Yggdrasil Less is More (LIM) DAC / Octave HP 700 preamp / Octave RE 320 stereo amp with Super Black Box / Reference 3A Reflector monitors, on Sound Anchors Signature stands / dual JL Audio Fathom 112 v2 subwoofers / Cables: ZenWave Audio D4 interconnects, ZenWave SMSG speaker cables / Diverse Herbie's Audio Lab footers / Acoustic treatment: Tri-panels, window plugs, ceiling diffusers (all ASC), diverse carpets chosen for acoustic properties (wool, polypropylene basketweave) We are not talking about the recording side as this is not the hobby we discuss here. I also work in the "pro" industry and many friends are building studios but state that what we can accomplish at home can be better in so many ways (most studios use off the shelf gear).
#Audionote iq3 alnico magnet pro#
So we figured that this studio must have a very good D/A converter to do so.īecause of this "fact" i started to work on my converter (usually pro converters are multitrack mono converters) so i also build mono converters and found that this could be "it". He stated at that time that all new records produced where digital files converted to analog and even then sounded better then same recording on a CD or SACD. I had exactly the same discussion with a friend who is a distributor of high end record players some years ago. Now the audio quality of the DAC's used in a studio is debatable especially the low bit versions. So as long as we stay in the digital domain this is no issue.
This has nothing todo with the DAC's used only digital headroom.
Click to expand.Then you know that when recording, this is important but when mastering the dynamic range can be reduced to 16bit without loss.
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